Strength and rhythm provide a lot of visual information you can work with: the weight of your character (1), the balance of his pose (2) or the lack of it (3). Obviously, once the cat gives in to the force, your character will fall, as the cat was what kept him standing. If the character wants to pull something that refuses to move, his body will lean in the opposite direction. If your character is pushed to the left, his body will fall in that direction (A), unless he puts up resistance to stand (B). When two or more forces interact with each other, a rhythm is set, which provides balance and sense to the movement. They can walk, jump, dance… whatever comes to mind! But unless they are floating in space, it is not the only force that acts on them, as gravity makes their feet stay on land.
Your characters move thanks to their inner strength. This is what observation means: paying attention to the details and characteristics of the body. The changes in your body don’t resemble figure A, right? For example, your shoulder also lifts, and many other parts of your body adapt to the movement as in figure B. When you raise an arm, the arm is not the only part of your body that moves, unlike how the removable extremities of dolls work. If you look at yourself in front of a mirror and start moving, you will notice that your body works as a single element. If at any point you get curious about trying something new (which I hope you do), it never hurts to take a look at that anatomy book.Įven if your drawing style is far from realistic, the aspects that make a pose interesting and credible remain the same: strength, rhythm, action lines, construction and perspective. It’s not as difficult as it seems: observation and practice are your best tools.
To draw a pose correctly, you don’t need to always carry an anatomy book with you.
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